Monday, January 31, 2011

The Fountainhead

C. Choose the scene in The Fountainhead that is most meaningful to you. Analyze that scene in terms of the wider themes in the book.

The beginning sequence of The Fountainhead gives us much insight and paves the way for the character that Howard Roark is. Wanting to be free, but still carrying a sense of work ethic with him makes a strange man with much intellect and a distinct personality. Roark finds a way to express himself though architecture and shows originality even though he has been kicked out of a prestigious school, a feat that not many could accomplish. The beginning of this novel is truly a look into how Howard Roark feels and thinks about the world, even if the inner monologues are kept to a minimum. Also implementing irony, which helps to show the hypocrisy of certain aspects of society. This allows for Roark to display that he is not afraid to show what he truly believes regardless of any remarks he may receive from others.
            The first line gives a hint as to how his life is currently going. He is laughing at the dangers of the cliff and the freezing waters, almost as if he does not care. It is unknown whether he was attempting to jump or simply see if he could, but that further adds to the imagination that a reader could use. This scene is almost inviting and yet there is still a somber undertone to it. The decision is still left up to the reader and whether he/she would jump. While he may be viewed as mad this is a way for Roark to vent his emotions in a manner that seems fitting to him. Roark is searching for a method to cope with all of the hardships that he has had to go through during that day. This is a powerful scene because it is a universal image and feeling. Purposely placed by Ayn Rand in order to convey that even though her protagonist is quite cynical and pessimistic there is still some emotion left in him. Allowing for readers to be able to relate to the character, even if they do not like the way he acts or the manner in which he views the world. She finds a way to blend his lifestyle with beautiful scenery that he is placed in. acknowledging all the aspects of nature and commenting on them equally, yet still being perceived later on in the book as a jerk. Ayn Rand designed this scene to show the two contradicting sides of Roark as to try and show a near perfect character.
            Howard Roark is an intellectual, but is kicked out of his school for presenting extraordinary ideas. This is a look at how schooling can sometimes affect a wondrous mind in a different way. In school Roark is taught like everyone else and is expected to carry on like everyone else. However, this would be contradictory to the how Roark functions in society. Rand created this character to emphasize the indifference in people and how only a select few choose to get out of their comfort zone. The school environment that is created in this novel is another form of irony in that facts are learned, but personal wisdom is diminished. There is no room for a difference in a person’s own curriculum because it is different than what is already laid out for the students. This is a very significant event because it adds to the displeasure that Roark already carries. Even though he has been excelling in his studies all of his work is practically reduced to nothing simply because he was not staying the same line as everyone else. This is another key point to his overall character and how it affects others. By expressing himself Roark is doing what all architects should do, but he takes it a step further and continues to share his views even if they are not wanted. Yet Roark experiences what always happens to people when they decide to step out of the norm and try something new. He is constantly ridiculed and looked down upon by others for sharing his beliefs. Specifically by Mrs. Keating who in this scene symbolizes the education system and society. Showing fake emotions towards Roark and trying to show empathy, yet Roark does not allow her comments to get in the way of his mentality. Even though Mrs. Keating was showing some form of effort to help him during this dilemma Roark continues with his remarks, which he refuses to keep to himself. Acting as a representation of anti-conformity, which Roark continues to display throughout the novel. He also refuses to acknowledge the norm of how to dress to certain events. By dressing in regular attire to a meeting that has been deemed as important Roark has shown that just because someone is called a dean doesn’t mean that they are higher than him in any way.
            Howard Roark is a different kind of protagonist that was developed to show how things must not always be followed as everyone already does. This message is conveyed with a greater weight by the way that Roark was created and how he makes his decisions. He refuses to act in a way that does not suit him, almost acting as an idol for those who want to change. Howard Roark carries on this one mentality and refuses to change, which creates and even greater impact on the reader, simply because of the constant reminder of how Roark acts and how he makes decisions.

Scarlet Letter


            Hester Prynne commits the act of adultery, a very serious sin. She is constantly reminded by the scarlet A on her chest, but is also reminded by her child Pearl. While a pearl is a pure and beautiful gem the child Pearl is the embodiment of sin. Acting on impulse and laughing in the face of distraught present by the Reverend Dimmesdale. She displays nothing but irony and the true consequence of adultery. A young child is said to be innocent, yet Pearl acts in a manner that is way above the expectations of a kid her age. Her actual image is presented when looking at the armor, which distorts her image into a way that makes her look like an imp, a creature that Hester refuses to admit that her child resembles.
            The scaffold scenes are arguably the most important scenes in the novel. They show the progression of the novel, yet continues on the Hawthorne’s displaying of hypocrisy and irony. The scaffold itself is in the shape of an A, which is a common symbol in the story for adultery. However, another feature is that it is above all of the chanting crowds while they are yelling and scolding Hester. During the first scaffold scene she is being yelled at by all sides for her sin, yet she is the only one that is keeping her silence in regards to the situation. The scaffold is a location in which everyone can point the finger, but refuse to look at them. It also symbolizes the truth as well. This is why the scaffolds are so important. Every time someone is either on or around the scaffold there is something new revealed to the public or to the reader. For example, the final 2 scenes that include the scaffold are when the reverend talks to Hester about revealing the truth to everyone in the end. In the final scene the reverend reveals all of his wrongdoings and dies at the scaffold.
            The prison door in the beginning of the novel represents how the people see Hester. All of the people in the town only view her as cold and lifeless; yet never actually get to know her. In relation to the door Hester has iron studs created by society that does not let them accept her as another human, though they do not know what is inside the door. The oak is old and most likely rotting away, similar to how Hester was during her time in the prison. There is some form of tenderness and love within Hester, which is represented by the rose bush next to the door. This bush is Pearl who is known to have the beauty of a child, but still have thorns. This is another form of irony because of the fact that there is so much hatred and disdain towards another person in a Utopian society.